Seirios Savvaidis - Mesourania/Wendy's Wedding
Hibushibire - Official Live Bootleg No. 7
Vibration of Words: Jazz Poetry from Hungary
Keiko Higuchi x Manuel Knapp: Summoning Ancient Spirits
Li Daiguo: 聽風
Kris Vanderstraeten & Frederik Leroux: Live at The Audioplant
My Cat Is An Alien & Nad Spiro - La Casa Encendida
Miminokoto – Koenji 07/02/2016 (Plunk's Plan, reissue of out of print sloow tape)
Fuji – In Brussels (Plunk's Plan)
Fuji is an Improv Space Jam Outfit formed by Bart 'Sloow' De Paepe, Louis Freres, Warre Fungus, Junzo Suzuki and Mik Quantius.
"In Brussels, musically, is beamed straight from a deeply trippy well. As an album, it begs to be played super loud but it’s Quantius odd vocal stylisation that truly elevates this into something spectacularly odd. What he’s saying, singing, ranting about isn’t important, but that gives this supremely spiky vicious psych rock a whole other layer that feels somehow impossible.
It’s a mess and at the same time a revelation. Hugely and loudly recommend." (Obladada)
Majutsu No Niwa – Ecstatic Crystallization (Musik Atlach, reissue of out of print sloow tape)
Wendingen 1918 - Recherche Dans Le Rêve
Louise Landes Levi/Timo van Luijk/Bart De Paepe: Kami
Bombay Lunatic Asylum - Mad Song
Oaken Palace Records is excited to present its 20th release, a sonic journey to the roots of drone music, performed by Bombay Lunatic Asylum. The musicians behind this name are no others than Louise Landes Levi and Bart De Paepe, who already played together on Ikiru (OAK-013), our fastest selling release so far. On Mad Song, they are joined by Koen Vandenhoudt, who also recorded the album.
De Paepe’s harmonium and Vandenhoudt’s shruti box form the perfect backdrop for Levi’s melancholic, haunting sarangi melodies, slowly evolving and meandering over the album’s thirty-five minutes. On Mad Song’s last track, Levi replaces the sarangi with her no less impressive voice and finishes the album with a beautiful rendition of Blake’s poem of the same title.
Right from the start, it was clear for all involved artists that this release should be dedicated to the Masai giraffe, which has recently been added to the IUCN redlist of endangered species, after a population decline of over 50% due to poaching and habitat loss. All profits from selling this release will be donated towards the Masai giraffe’s conservation.
Ilta Hämärä - Velloa 7" (Meeuw Muzak)
"Timo Van Luijk and Bart De Paepe in troubled water" says the label press: Ilta Hämärä, the duo of Bart De Paepe (Sylvester Anfang II, Bokrijk, Charles Vögele) and Timo van Luijk (Af Ursin, Elodie, La Poupee Vivante). An imaginary source that combines Bart’s hazy psychedelic antics and Timo’s subtle and abstract sound manipulations in otherworldly spheres of cosmic dimensions
Louise Landes Levi/Timo van Luijk/Bart De Paepe - Ikiru (Oaken Palace)
We welcome Louise Landes Levi to the Oaken Palace Records family and invite you to join her on a musical journey through the life and fate of the Monarch butterfly. Ikiru, which is Japanese for "to grow", starts with "Butterfly Graveyard", a musical assessment of the current state of the Monarch butterfly, whose population has declined by over 80% over the past 20 years. On "Butterfly Brain", this worrying development is contrasted with the bravery and wonder of the species, its transformation from a caterpillar to a butterfly, which then travels thousands of miles on its journeys from the US to Mexico. Louise is a founding member of Daniel Moore’s Floating Lotus Magic Opera Company, the first fusion orchestra in the USA – fellow players included Terry Riley & Angus Macleise. Louise then trained with the Indian masters Pandit Ram Narayan and Ustad Abdul Majid Khan on sarangi, and with Ali Akbar Khan and his sister, Annapurna Devi.
BART DE PAEPE ~ MELKADER
Original Artwork by Bart de Paepe
Numbered edition of 25 ex.
**numbered edition of 40 copies** "Little by little, the mass turned like a slimy and forceful nausea, a kind of immense influx of vegetable and thundering blood. And the small fibers trembling at the edge of my mental eye, broke off with a vertiginous speed of the tense mass of the wind. And all the space trembled like a sex organ which the globe of the burning sky was battering." Wendingen 1918 is dedicated to the Dutch Architectural Magazine ‘Wendingen’ from 1918 and the Work and Life of Antonin Artaud.
Raymond Dijkstra is an autodidact Artist from Indonesian / Dutch / English / Belgian / Portuguese descent. He has developed a highly personal acoustic-experimental and expressionist style, using his body as a tool for ‘automatic writing’. His explorations in this area are carefully documented by his own imprint Le Souffleur, especially in the series “Catalogue du Bruit”. Since about 2009 he also started working on a different, more ‘musical’ type of music, hereby incorporating electronic sources and a more eleborate use of effects. Since 2003 he’s been combining most of his limited publications with original exclusive handmade artworks of himself. Bart de Paepe is a Belgian Musician and Artist who has worked in many diverse directions, leading to an eclectic array of experimental and underground escavations of his innerworld. His solo music is portrayed by a compact electronic, yet psychedelic style. He’s the Art Direcor for the labels Sloow Tapes and Sloowax and has collaborated with Louise Landes Levi, Timo van Luijk and members of Embryo. Frédérique Bruyas is a Native French Reciter of (mainly) French Literature. Approaching the texts almost as an actor, she’s showcasing her superb sensitivity for atmosphere and her excellent ability to translate written word in spoken word with great respect to the original texts. The texts used on Tremblaient à la lisière de mon œil mental are part of L’Ombilic des Limbes by Antonin Artaud, a text written in 1918 during his stay in a mental asylum and published only a decade later.
Artwork Description: Cover tied with rope; Innercover with wooden Dowel designed by Raymond Dijkstra. Original Artwork by Bart de Paepe, Raymond Dijkstra. Each copy is different.
Wendingen 1918 – La Décorporisation De La Réalité (Des astres d'or)
Various: Au-delà (Meakusma)
Au-delà is a collaborative record by La Scie Dorée and Meakusma. It features eight pieces of music by La Scie Dorée affiliates. For the 2018 Meakusma Festival, La Scie Dorée and Meakusma set up a collaboration that brought performances by Timo Van Luijk, Steven Stapleton, Christophe Heemann, Daniel Denis, Bart De Paepe, Kris Vanderstraeten & daniel duchamP to the festival in Eupen, Belgium. This was followed up with a night organized in the province of Limburg in Belgium featuring performances by Frederik Croene and Timo Van Luijk, Tom James Scott, Ecka Mordecai and Andrew Chalk.
Timo Van Luijk founded La Scie Dorée in 2000 to release his solo work as Af Ursin and the various collaborative projects he is involved in. Af Ursin opens Au-delà with a piece escaping straightforward definition, setting the tone for the album. The general focus of Au-delà is on musical space and the at times gentle yet always focused upset of musical and emotional signifiers. Tracks by legendary artists such as Michael Ranta, Steven Stapleton and Christophe Heemann together with work by relatively young or obscure performers and new projects such as Circaea, Raymond Dijkstra, Bart de Paepe and Vincent Epplay all delve into the niche that is free improvisation, frankly defining inward and outward space and movement and thus questioning the purpose of the niche itself.
Au-delà features a music that borders and transcends the genres of free improv, ambient, industrial and avant-garde composition. Its intention lays firmly in surpassing the general idea that experimental and improvised music is intended for the initiated only. Its subtle stance on musical beauty only adds to that intention. The collaboration between La Scie Dorée and Meakusma benefited greatly from the support of the Flemish Community and Ostbelgien.
1. Af Ursin - Voyance
2. Michael Ranta - Save Alchi (excerpt)
3. Circaea - Anemones
4. Raymond Dijkstra - L'enveloppement Cotonneux du Bruit...
5. Christoph Heeman - Die Züge
6. Nurse With Wound & James Worse - The Creptile Lickbug
7. Bart De Paepe - De Vaag
8. Jac Berrocal & Vincent Epplay - Svavius
Bart De Paepe - mellow my mind: a sloow tapes discography
Malcolm Ritchie - Encounter with the Great Mother. Ayahuasca in the Andes
orders & contact: sloowtapes at g mail dot com
Thursday, March 10, 2022
Sloow Tapes CS 40
Compiling two EP's (Mesourania (2019) and Wendy's Wedding (2016) by Seirios Savvaidis (who also plays in The Dead Ends), one of Greece's best kept secrets. Some mind expanding songs that reflect deep knowledge of traditional Greek music by way of sixties and seventies pychedelia and cosmic folk troubadours. Savvaidis's relaxed Greek vocals make you float all the way up Mount Paggaio. Edition of 70 copies.
Seirios Savvaidis is a Greek musician whose work borrows liberally from psych rock of the 60s and 70s, complemented by the more cosmically written folk artists of the time. Compiling 2019's in 2016's Γάμος της Γουέντυ, Sloow Tapes gives a radiant look to his music with this double EP cassette. There are overt nods to traditional Greek music here. Gently surging acoustic ruminate comfortably alongside more muscular bits of personal introspection. Through the complex mechanism of these two EPs, we hear how multiple genres occupy the same space within songs. He even brings in some Laurel Canyon vibes to soften the transitions from sound to sound - he contains these living, breathing worlds, which seem to always exist. It's a definitive ride as we are carried on the backs of his inspirations and watch him interpolate their various lineages. (Beats Per Minute)
Official Live Bootleg No. 7
Sloow Tapes - CS 60
Japanese heavy psych blow-out that rubs the third eye and instantly flings you in an overdose of speed fuzz soaring in/out of focus between hallucinatory visions of spiked Mainliner, High Rise, Les Rallizes Denudes et al. Lysergic hard rock riffs, dirty punk vocals and ferocious guitar shredding. Break through the aether with this one. Edition of 70 copies.