Bart De Paepe/daniel duchamP/Kris Vanderstraeten - S/T
Svitlana Nianio - Zviy (Звій)
Samara Lubelski & Marcia Bassett - Neue Schachtel
Miminokoto: KOENJI 07/02/2016
Kris Vanderstraeten & Frederik Leroux: Live at The Audioplant
My Cat Is An Alien & Nad Spiro - La Casa Encendida
Kabouter Chismus - S/T
Louise Landes Levi/Timo van Luijk/Bart De Paepe: Kami
Fursaxa - Immured
Ilta Hämärä - Saivo
Ilta Hämärä - Velloa 7" (Meeuw Muzak)
"Timo Van Luijk and Bart De Paepe in troubled water" says the label press: Ilta Hämärä, the duo of Bart De Paepe (Sylvester Anfang II, Bokrijk, Charles Vögele) and Timo van Luijk (Af Ursin, Elodie, La Poupee Vivante). An imaginary source that combines Bart’s hazy psychedelic antics and Timo’s subtle and abstract sound manipulations in otherworldly spheres of cosmic dimensions
Louise Landes Levi/Timo van Luijk/Bart De Paepe - Ikiru (Oaken Palace)
We welcome Louise Landes Levi to the Oaken Palace Records family and invite you to join her on a musical journey through the life and fate of the Monarch butterfly. Ikiru, which is Japanese for "to grow", starts with "Butterfly Graveyard", a musical assessment of the current state of the Monarch butterfly, whose population has declined by over 80% over the past 20 years. On "Butterfly Brain", this worrying development is contrasted with the bravery and wonder of the species, its transformation from a caterpillar to a butterfly, which then travels thousands of miles on its journeys from the US to Mexico. Louise is a founding member of Daniel Moore’s Floating Lotus Magic Opera Company, the first fusion orchestra in the USA – fellow players included Terry Riley & Angus Macleise. Louise then trained with the Indian masters Pandit Ram Narayan and Ustad Abdul Majid Khan on sarangi, and with Ali Akbar Khan and his sister, Annapurna Devi.
WENDINGEN 1918 ~ MUZIKË MUUSIKA (Des Astres d'Or)
**numbered edition of 40 copies** "Little by little, the mass turned like a slimy and forceful nausea, a kind of immense influx of vegetable and thundering blood. And the small fibers trembling at the edge of my mental eye, broke off with a vertiginous speed of the tense mass of the wind. And all the space trembled like a sex organ which the globe of the burning sky was battering." Wendingen 1918 is dedicated to the Dutch Architectural Magazine ‘Wendingen’ from 1918 and the Work and Life of Antonin Artaud.
Raymond Dijkstra is an autodidact Artist from Indonesian / Dutch / English / Belgian / Portuguese descent. He has developed a highly personal acoustic-experimental and expressionist style, using his body as a tool for ‘automatic writing’. His explorations in this area are carefully documented by his own imprint Le Souffleur, especially in the series “Catalogue du Bruit”. Since about 2009 he also started working on a different, more ‘musical’ type of music, hereby incorporating electronic sources and a more eleborate use of effects. Since 2003 he’s been combining most of his limited publications with original exclusive handmade artworks of himself. Bart de Paepe is a Belgian Musician and Artist who has worked in many diverse directions, leading to an eclectic array of experimental and underground escavations of his innerworld. His solo music is portrayed by a compact electronic, yet psychedelic style. He’s the Art Direcor for the labels Sloow Tapes and Sloowax and has collaborated with Louise Landes Levi, Timo van Luijk and members of Embryo. Frédérique Bruyas is a Native French Reciter of (mainly) French Literature. Approaching the texts almost as an actor, she’s showcasing her superb sensitivity for atmosphere and her excellent ability to translate written word in spoken word with great respect to the original texts. The texts used on Tremblaient à la lisière de mon œil mental are part of L’Ombilic des Limbes by Antonin Artaud, a text written in 1918 during his stay in a mental asylum and published only a decade later.
Artwork Description: Cover tied with rope; Innercover with wooden Dowel designed by Raymond Dijkstra. Original Artwork by Bart de Paepe, Raymond Dijkstra. Each copy is different.
Wendingen 1918 – La Décorporisation De La Réalité (Des astres d'or)
Various: Au-delà (Meakusma)
Au-delà is a collaborative record by La Scie Dorée and Meakusma. It features eight pieces of music by La Scie Dorée affiliates. For the 2018 Meakusma Festival, La Scie Dorée and Meakusma set up a collaboration that brought performances by Timo Van Luijk, Steven Stapleton, Christophe Heemann, Daniel Denis, Bart De Paepe, Kris Vanderstraeten & daniel duchamP to the festival in Eupen, Belgium. This was followed up with a night organized in the province of Limburg in Belgium featuring performances by Frederik Croene and Timo Van Luijk, Tom James Scott, Ecka Mordecai and Andrew Chalk.
Timo Van Luijk founded La Scie Dorée in 2000 to release his solo work as Af Ursin and the various collaborative projects he is involved in. Af Ursin opens Au-delà with a piece escaping straightforward definition, setting the tone for the album. The general focus of Au-delà is on musical space and the at times gentle yet always focused upset of musical and emotional signifiers. Tracks by legendary artists such as Michael Ranta, Steven Stapleton and Christophe Heemann together with work by relatively young or obscure performers and new projects such as Circaea, Raymond Dijkstra, Bart de Paepe and Vincent Epplay all delve into the niche that is free improvisation, frankly defining inward and outward space and movement and thus questioning the purpose of the niche itself.
Au-delà features a music that borders and transcends the genres of free improv, ambient, industrial and avant-garde composition. Its intention lays firmly in surpassing the general idea that experimental and improvised music is intended for the initiated only. Its subtle stance on musical beauty only adds to that intention. The collaboration between La Scie Dorée and Meakusma benefited greatly from the support of the Flemish Community and Ostbelgien.
1. Af Ursin - Voyance
2. Michael Ranta - Save Alchi (excerpt)
3. Circaea - Anemones
4. Raymond Dijkstra - L'enveloppement Cotonneux du Bruit...
5. Christoph Heeman - Die Züge
6. Nurse With Wound & James Worse - The Creptile Lickbug
7. Bart De Paepe - De Vaag
8. Jac Berrocal & Vincent Epplay - Svavius
Bart De Paepe - mellow my mind: a sloow tapes discography
Malcolm Ritchie - Encounter with the Great Mother. Ayahuasca in the Andes
orders & contact: sloowtapes at g mail dot com
Thursday, May 21, 2020
Bart De Paepe/daniel duchamP/Kris Vanderstraeten
Sloow Tapes - CS 40
Kris Vanderstraeten (Frederik Leroux, Dirk Serries, Timo van Luijk...), daniel duchamP (Wolfgang Fuchs, Karine Germaix, Dominique Vermeesch ....) and Bart De Paepe (Ilta Hämärä, Bombay Lunactic Asylum...) get lost in a delicate delirium of bright intricate soundwebs touched with drops of luminous psychedelic atmospheres tumbling in and out of focus in these improvisations with percussion, electronics and guitar. Edition of 70.
Sloow Tapes - CS 40
Active in the Ukrainian and Polish underground since the early '90's Svitlana Nianio has released music that weaves traditonal Slavic folk influences with hints of minimalism (La Monte Young, Terry Riley etc) that instantly melt the pinal gland in realms of obscure mystery and glistening magic. Edition of 70.
Monday, November 04, 2019
Louise Landes Levi/Timo van Luijk/Bart De Paepe
Like the ever changing shapeshifting nature of Kami in Japanese Shinto faith, the music on this new collaborative lp is a mirror reflecting, obscuring or modifying the ever changing rivers of sounds.
Louise Landes Levi has a long history in music from studying sarangi with Annapurna Devi and La Monte Young to performing with like minded poets as Ira Cohen and Simon Vinkenoog. As on the previous Ikiru lp she collaborates with Timo van Luijk (Af Ursin, Elodie, Asra, In camera etc) and Bart De Paepe (Ilta Hämärä, Bombay Lunatic Ensemble etc). The trio weaves several delicate threads together into a surrealist, organic but overall poetic language. Includes a postcard. Limited to 500 copies.
Since launching in middle 2000s, the dual imprint Sloowtapes / Sloowax, founded and run by visual artist and musician, Bart De Paepe, has been proved to be among the more ambitious platforms for the wild and wonderful sounds emerging from the contemporary scenes of avant-garde and experimental music. Whether viewing individual releases, or the catalog as a total context, theirs is a world which pointedly defies easy definition and being nailed down. Sloowax’s latest, Kami, a stunning collaboration between Louise Landes Levi, Timo van Luijk, and Bart De Paepe, is among their most stunning LPs to date, riding high among our favourite records of the year.
With a practice dating back to the 1960s, over the last decade the poet, musician, and performer, Louise Landes Levi has slowly emerged as one of the most fascinating and engaging figures in the contemporary landscape of experimental music. A founding member of Daniel Moore’s Floating Lotus Magic Opera Company, performing alongside the likes of Terry Riley and Angus Maclise, a student of a number of the most important figures in 20th century Indian Classical music - Sri Annapurna Devi, Ustad Abdul Majid Khan, Ustad Ali Akbar Khan, and Pandit Ram Narayan, as well as a close associate of La Monte Young, Marian Zazeela, Ira Cohen, and Catherine Christer Hennix, she stands among the great links between high psychedelia, the countercultural explorations of Artaud and Michaux, Eastern mysticism, Hindustani music, and the sonic avant-garde. Despite her exceptional place in history, recordings of Levi’s remarkably singular music have only begun to emerge over the last decade. Last year’s Ikiru or The Wanderer and Colloidal Love were two of our favourite albums of 2018. Her latest, Kami, a collaboration with Timo van Luijk (Af Ursin, Elodie, Lumine, etc.) and Bart De Paepe, takes the already high bar up a notch.
Laden with abstraction - one foot in the ethereal, mysterious, and ancient past, the other arching into unknown futures yet to be seen - Kami is a total world, imagistically rising through sound. Vocals, tanpura, sarangi, synths, bells, flute, and numerous other acoustic sound sources, intertwine in a droning, delicately percussive tapestry, amounting to brilliant musical hybrid, the depths of which few have realised since the days of Third Ear Band and Aktuala - an avant-gardism grown from mystical roots - fragments of ancient traditions which take the ear beyond the boundaries of time, pushing forward toward utopian dreams.
Brilliant, immersive, and challenging at every turn, Levi, Luijk, and Paepe’s Kami presents a beacon of creativity and hope for the end of the year. The album comes complete with a postcard containing artwork and poem by Louise Landes Levi. For those who missed it the first time around, we’ve also just received copies of the brand new repress of her brilliant LP for 2018, Ikiru or The Wanderer, both are absolutely essential and not to be missed. (Soundohm)
Aching, poetic and psychedelic elegies for the destruction of the planet, inspired by Japanese Shinto faith and played by some of Belgium’s most attuned for Bart De Paepe’s Sloowax
Working in each other’s orbits for years, but meeting as a trio on record for the first time, the result of Louise Landes Levi (Bombay Lunatic Asylum), Timo Van Lujik (Af Ursin, Elodie), and Bart De Paepe’s (Silvester Anfang II) debut speak to a rustic, pastoral conception of psychedelia and folk music inspired by the Shinto faith’s belief in Kami - spirits or holy powers manifest as forces of nature ranging from the elements to landscapes.
In communal voice the trio limn four beautifully organic, shapeshifting scenes that perhaps suggest a world running low on electricity and reconnecting with its analog essence and capacity for telepathic communication - of which improvised music such as ‘Kami’ is surely a form of. Yet while democratic in its structure and division of duties, the vital spirit of Louise Landes Levi really helms the album with her classical Indian vocal stylings and incredibly lush, roving sarangi lines.
Drawing on her studies under Annapurna Devi and La Monte Young, recordings with CC Hennix, and performance with poets Ira Cohen and Simon Vinkenoog; Louise’s presence is crucial to the album’s heavy-lidded, Atavistic feel and appeal, especially in the opening and closing sections, while the mid-section is given to some really trippy business in the vein of Smegma, and a sublime drift recalling the tremulous filigree of Van Lujik’s Elodie and Af Ursin recordings. (boomkat)
Thursday, March 07, 2019
Samara Lubelski & Marcia Bassett
Sloow Tapes - One sided CS 60
Live recording of Samara Lubelski (Metabolismus, Hall of Fame) and Marcia Bassett (Hototogisu, GHQ) when they played in Neue Schachtel, Germany. Cosmic rays of inner twilight violin and guitar drones highligthing swirling patterns into the vortex of the mind’s eye. Relax, smoke a cigar and drink a glass of red wine. 70 copies.
Thursday, September 07, 2017
Sloow Tapes – CS 40
Latest from Miminokoto, the trio of Suzuki Junzo (20 Guilders), Koji Shimura (Acid Mothers Temple) and Nishimura Takuya (Che-SHIZU/Maher Shalal Hash Baz), catching the space-blues live in Tokyo. Re-imagining classic psychedelia and garage rock. Edition of 100 copies.
Miminokoto are guitarist and vocalist Suzuki Junzo, drummer and Acid Mother Koji Shimura and bassist Nishimura Takuya. Their gig at the Penguin House, Koenji, Tokyo in 2016 was released simultaneously in 2017 on Suzuki Junzo’s own label Plunk’s Plan (as a CD and a digital album) and on Sloow Tapes (as a limited edition cassette). Suzuki Junzo’s frail and unsteady voice wavers over his intense and psychedelic guitar work. Koji Shimura and Nishimura Takya, both gifted musicians themselves, are solid partners on his bluesy trips and at times follow a wild path of their own, only to join Suzuki Junzo again in one of his long psychedelic pieces or more conventional rock songs on this album. Miminokoto. From Tokyo. With love. (Sea urchin)
Live at The Audioplant
Sloow Tapes – CS 70
Abstract duo of two grand masters: Kris Vanderstaeten (percussion, objects) and Frederik Leroux (guitar). Both explore the endless possibilities of their instruments in terms of dynamics, texture and space. A surreal mix of instant composing, free improvisation and minimalism. Edition of 70 copies.
Percussionist Kris Vanderstraeten, bringing his long experience in free improvisation, and relatively young guitarist Frederik Leroux teamed up in November 2016 for a concert at De Audioplant, Antwerpen, where they were recorded by Simon Beeckaert. During the recorded session each musician skillfully explores his instrument and together they get involved in a shuffle of gentlemen-pugilists. Sloow Tapes did well to publish this disruptive continuum of small amplified movements and sounds. (Sea Urchin)
Sunday, April 16, 2017
Encounter with the Great Mother. Ayahuasca in the Andes
Sloow Tapes – Book
Malcolm Ritchie was born in London, in 1940. He spent his childhood in Scotland and later on moved to Cornwall where he attended art school. Since then he has traveled widely and has lived in Wales, London, California, New York, and for nearly 10 years in Japan. He now lives in Scotland again, on the Isle of Arran. His books include The Shamanic Healer and Village Japan. Limited to 50 copies.
Friday, April 07, 2017
Sloowax 006 – LP
Out of the twilight emerges this debut offering by Ilta Hämärä, the duo of Bart De Paepe (Sylvester Anfang II, Bokrijk, Charles Vögele) and Timo van Luijk (Af Ursin, Elodie, La Poupee Vivante). An imaginary source that combines Bart’s hazy psychedelic antics and Timo’s subtle and abstract sound manipulations in otherworldly spheres of cosmic dimensions, like a spectral veil covering an odoriferous botanical garden. The gates are open to golden clouds… Limited to 300 copies.
Addendum to the sweet batch of Timo Van Lujik-centred LPs (Af Ursine, Elodie, Lumine) newly in stock this week, Saivo documents The Belgium-based Finn farther exploring the heavily psychedelic duo, Ilta Hämärä alongside Bart De Paepe (Sylvester Anfang II, Bokrijk, Charles Vögele) for De Paepe’s Sloowax - an offshoot of the prolific Sloow Tapes label.
The scope for Saivo is perhaps more dilated than Van Lujik’s trio of new releases, and somewhat closer to the electro-acoustic wanderlust of his Af Ursin project thanks to the a mutual sense of trippiness that we’d also associate with De Paepe’s work in Sylvester Anfang II. Essentially the pair divine a sort of pineal alchemy inside, gingerly approaching from stereo extremes to frame a widescreen, lysergic sound between the eyes and around the head with beautifully illusive and elusive mixing treatments.
They first draw us in with a magickal shimmer of percussion and keys in Spektrin Huntu before seamlessly segueing into the ascendent kosmiche trajectories of Sielun Ankalo, then following the spirals of Tuoksuva to the lense-smearing astral creme of Kynttilänvalon Jumalat and the bifurcating raga drone helixes of Kuvitteellinen Alkuperä at the run-out.
That all appears to be a sort of mental preparation for the steepest leg of the journey, the summit of Tähdenlentoja on the B-side. Freed of time restraints, here they really billow outward and upwards, buoyed by updrafting strings and angel’s breath harps to a pinched highpoint where oxygen is in short supply and depth perceptions become warped, intangible. (Boomkat)